Green Beatbox's magic equipment, explained!
I started looping when I discovered Beardyman and his Kaoss Pad 3 setup online. I was in Japan at the time, and wanted a KP3 so bad, but never expected to find one there. I thought I should wait to get back to the U.S. to buy one. Then, while randomly perusing in a shopping mall with my fiancé, I found a music store that had a used one for sale. The Japanese dude showed me how it worked, and I picked it up right there. Next, I got an RC-505 Loopstation after seeing Dub FX use one and realizing it was the next step in advancing toward supreme human beat blasting. Finally, as a result of wanting more electronic, less human-spit-like sounds (and not being able to sing at all), I picked up a VT-3 vocal transformer. This is what I use for funky vocoder singing and dubstep bass sounds.
Here's an explanation, in order, of my setup:
Here's an explanation, in order, of my setup:
Shure SM-58 Mic
Roland VT-3 Voice Transformer
I use the VT-3 Voice Transformer is great for vocoder robot voice sounds. I also deepen the frequency of this voice sound to make dubstep bass. I also use the VT-3 for auto-tune since I can't sing (and because auto-tune sounds cool even if you can sing!) I bypass the VT-3 when not using any of its effects. The output from the VT-3 is sent to the...
Korg Kaoss Pad 3
The Kaoss Pad 3 (KP3) is basically a smaller version of the RC-505, with 4 tracks. It also has some nice effects I use often to make a robot-sounding voice. Another great feature I frequently use is the trackpad. You rub your finger on it and create sounds or edit the parameters of effects. I usually use this to create sweeping pad sounds during buildups, before the bass drops. I also use the KP3 for my one-shot sounds. The output of the KP3 is sent to my main piece of equipment, which is the...
BOSS RC-505 Loopstation
The RC-505 is the main piece of equipment in my setup. It's got 5 independent tracks that can loop any number of measures each independently. It's also got some great effects that can be applied to the input, as well as to tracks individually. I generally use a "guitar-to-bass" effect to hum deep baselines, and the "beat-repeat" effect to create buildups. I also heavily rely on the "transpose" effect to make my voice sound deeper than it actually is.

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